Psycho, Alfred Hitchcock's 1960 horror masterpiece, is not only revered as a classic but is also credited with pioneering the modern horror genre, particularly the "slasher" subgenre.
At the heart of the film is the character of Norman Bates, who embodies a complex duality in contrast to Marion, the initial protagonist he tragically kills. The director adeptly portrays and contrasts this duality in important scenes such as Marion's fateful drive to the Bates Motel and the climax which kept me on edge where Norman sits in a police station. These scenes aren't isolated; they serve as a call and response, highlighting Marion's quest for respectability.
Even though it seems as if Marion and Norman have opposing roles in the movie, Hitchcock employs cinematic techniques and symbolism to underscore the dichotomy of the plot, using the main characters to criticize a repressive society. This commentary on societal repression, relevant in the 1960s and still resonant today, is expertly woven into the narrative.
The film initially follows Marion's journey to escape her stifling society and pursue a respectable life. However, her tragic encounter with Norman transforms him into the central character. Hitchcock accentuates their isolation from society through individualized scenes.
Marion's escape from the city symbolizes a transition from the public to the private sphere and from repression to freedom. Her drive to the Bates Motel, though initially appearing as a lifeline amidst a storm, ultimately proves illusory, representing another form of confinement.
The Bates Motel, Norman's domain, mirrors the repression he experiences due to his domineering mother. His mother symbolizes oppressive authority, akin to the society Marion seeks to flee.
Hitchcock makes it evident that neither Marion nor Norman can escape repression; Marion loses her life, and Norman remains ensnared by his mother's control, symbolizing societal pressures.
The Bates house serves as a microcosm of the oppressive society Marion is trying to leave behind, watching over her as what initially seemed like shelter becomes a symbol of repression.
Hitchcock presents a pessimistic outlook, suggesting that escape from society is elusive. Both characters seek freedom—respectability for Marion and individuality for Norman—yet their pursuit culminates in tragedy.
The film delves into broader societal issues, addressing the need to break free from repression while cautioning against descending into self-destructive behavior. Hitchcock's exploration of contemporary concerns, such as Norman's unhealthy obsessions stemming from a lack of free will, remains relevant despite the film's 1960s origins. It serves as a timeless commentary on inequality and oppression.
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